In his
treatise De Oratore, Cicero claims that in order to master oratory
first you need to learn the rules, then to practice. There is a very
noticeable application of this statement when you notice the notice the
difference between this treatise and Cicero’s former, De Inventione. In
his early life, Cicero focused on simply stating and learning the rules for
delivery and memory, but it becomes apparent that after years of experience and
his use of dialogue he masters the art of eloquence (169). This same
observation was made by Hailee,
who feels more enlightened by the dialogue approach given in De Oratore than
the list of concepts given in De Inventione.
Showing posts with label De Inventione. Show all posts
Showing posts with label De Inventione. Show all posts
Wednesday, October 29, 2014
Dialogue is less boring
Cicero and two ways he expressed his ideas about rhetoric
What advantage do I see in Cicero's use of dialogue form to address ideas about rhetoric in De oratore compared to his use of an explanatory form in De inventione?
I see that when Cicero writes in dialogue form, his ideas are easier to understand, the piece is more entertaining, and it is easier to read.
Advantages that Cicero maybe saw in addressing ideas about rhetoric in dialogue form rather than in the regimented form that he uses in De inventione include that he has greater artistic expression, and that by writing in a narrative format he can express the inner creativity of his soul. Through dialogue form, Cicero is able to takes something that he previously approached from a scientific and factual angle and make it far more human and tangible.
Courtney has identified that in De oratore, Cicero effectively uses his new tool of pathos.
Thomas noted that Cicero does not refer to himself in De oratore like he did in De inventione. This enables him to add a layer of depth to his understanding of rhetorical principles because he creates characters who discuss rhetoric.
Hailee focused on the ability of Cicero's use of dialogue form to help the reader feel comfortable with the rhetorical concepts and see how they can be applied in real world settings.
I see that when Cicero writes in dialogue form, his ideas are easier to understand, the piece is more entertaining, and it is easier to read.
Courtney has identified that in De oratore, Cicero effectively uses his new tool of pathos.
Thomas noted that Cicero does not refer to himself in De oratore like he did in De inventione. This enables him to add a layer of depth to his understanding of rhetorical principles because he creates characters who discuss rhetoric.
Hailee focused on the ability of Cicero's use of dialogue form to help the reader feel comfortable with the rhetorical concepts and see how they can be applied in real world settings.
Greek Grandma and the Extension of the Bicycle
So before I get started on my main point, I would like to comment on the fact that reading excerpts from Roman rhetorical conversations is very interesting when compared to Greek debate because the Greeks were laying the foundation of what rhetoric would become, without any history to go back on. The Romans kept referring to their rhetorical schooling and had the Greek rhetorical background. There were many times when the Romans referenced the Greeks in their debate, and it almost seemed like an insult. "Your views are like those of the Greek philosophers" (167). That's like us saying, "you talk like my grandma!"
Anyway, comparing De Inventione to De Oratore was much like a coming of age thing, as so many people have mentioned before (I think Spencer had a great take on this.). However, I think I will branch out a little bit and build off of those who posted before me. People have commented that it seems like Cicero had more life experience when he wrote so De Oratore, and I agree, but would ask, why does it seem that way? My answer: emotion and pathos. Before Cicero got into the "real world," or took off his training wheels, his writing read like a dictionary. However, once he learned a little more about rhetoric he realized how important it was to engage the listener in more pathetic appeals. Humor, style, and emotion were emphasized in De Oratore much more than they ever would have been if it had been written by the Cicero who wrote De Inventione. ![]() |
| I've actually had to read this textbook for a class last year. Wasn't that bad... |
Tuesday, October 28, 2014
The Advantage of Experience
You can see this in the way he is instructing the people listening. He also calls upon different experiences which he has had over the course of his career. I would have to say the main difference between Cicero's "De Oratore" and "De Inventione" is the life time of experience which Cicero now can draw upon. I like how Hailee compared there two speeches to a missionary's fair-well and homecoming talks. I think that's a really relateable example for most of us. Truly Cicero has gained a mastery of the things which he wrote about in his first speech.
I had a similar experience lately when I went to the Jan's Sport winter gala in Park City. There was man giving a speech and he was not being well received. I knew the concepts behind oration, but I had only considered them conceptually. As I analyzed his speech I theorized why his speech wasn't working. In that moment I realized that my understanding had changed from conceptual to operational. This change is the fundamental difference between Cicero's two works.
Cicero's Farewell and Homecoming
Macey’s concept that Cicero’s De
Inventione was more related because of the similarity in age I found
intriguing. Although I found it
insightful, I disagree that De inventione was “more helpful in developing one’s
own cognitive reasoning” about the art of rhetoric. I found De oratore to be much more insightful
and because it was formed out a dialogue it showed that anyone can add to it
and help establish the concept whereas in De inventione Cicero only stated what
was to be understood as correct.
Labels:
Cicero,
De Inventione,
De Oratore,
posted by Hailee R,
stasis
Empowering the Reader
Knowledge vs Understanding
The comparison of Cicero’s De Inventione and De Oratore
really struck home with me in something that has been on my mind quite a bit
recently. This time of the year here at BYU is the time where a lot of
companies are recruiting for internships in my field, and I hear so many of my
fellow students say that they “know” they want to pursue a certain type of work
in my field. In asking these fellow students of mine why they feel so strongly
about a certain discipline of our future field they rarely respond with a sensible
or logical answer, to provide any reason to their decision. I see this concept
mirrored in Cicero’s writing, as it is an easy comparison to make because Cicero
wrote De Inventione as a “graduating”
student himself.
In De Inventione Cicero
expresses much of what any student would express if asked about their studies:
basically a recitation of their text books, and the knowledge of what was
originally learned by professionals in that subject. Cicero more or less
repeats what we learn from Aristotle’s systemization of rhetoric with some of
his own thoughts and take always, which does show that he truly understands the
material. However, just because we understand something doesn’t mean that we
may be necessarily good at it or like the material we know so well. At this
point, Oratory has yet to be proven in Cicero’s own life. This is where De Oratre comes in.
Has Cicero changed or developed his ideas after 30 years of
legal & political experience? De
Oratre shows that the answer to this question is that Cicero has applied
his knowledge and developed not only a reinforced knowledge of oratory through
experience, but his own conclusions about oratory in practice. “Yet no
discipline yields greater rewards or has done more for civilization than
oratory” is one of the many clear statements that Cicero makes that shows he now
understands rhetoric at a level in which he is able to teach rhetorical theory
of his own. De Oratre is evidence
that even Cicero, a genius in the art of rhetoric, needed experience applying
his knowledge in order to come to a full understanding of it."If Truth were Self-Evident, Eloquence would be Unnecessary"
In both of his publications, Cicero facilitates fascinating
insight on persuasion. Firstly, in his book, De Inventione, Cicero develops the powerful idea of eloquence. He
asserts that epideictic ability alone does not have sufficient strength to persuade.
One cannot simply state a series of facts and find satisfactory results.
Instead, eloquence must enhance the epidictic dialogue. Cicero even states, “The
function of eloquence is to speak in order to persuade an audience; its goal is
persuasion by speech.” The inverse must
also be true. If a speech is deprived of eloquence it will not persuade, and thus
the purpose behind the speech will not be realized.
It seemed to me that the idea of eloquence was also
developed in the discussion on oration in De
Oratore. The idea expressed by
Crassus that, “An orator must know how to rouse or quell men’s emotions [and]
words alone are insufficient” seems to indicate that if eloquence and epideictic
are two sides of the same coin, then the name of that coin is oration. One must
be both proficient in the manner in which the content is delivered but also the
content itself. The later was a discussed thoroughly in a very manner
reminiscent of the sophist ideology. The quoted dialogue of Crassus, Antonius,
Scaevola, and Sulpicious heavily debated the idea of whether or not it was
possible to attain the theoretically requisite amount of knowledge to be able
to effectively argue on any topic.
I think Brooke does an excellent job relating the above
principles to the ideas presented by Aristotle in discourses on rhetoric.
Cicero breaks down the above idea into their most fundamental form so the
reader can best understand how to develop the skills discussed. After all, “How
incredible it is that few men, using the abilities given to most men, have the
power to interest, motivate, and persuade their fellow men.”
Cicero Taking his own Advice into Account
Just like Aristotle wrote Rhetoric to describe the attributes and what it is composed of (subject and adjunct), Cicero does a similar thing in De Inventione which clearly points out and defines the rhetoric terms that we have so far learned in class, as well as adding on some new ones like stasis. When going through the different branches of oratory, the canons of rhetoric, and even some of the special topics of invention he clearly defines them and explains each purpose and when they would be most appropriately used. Using this very informative writing style, I felt as though Cicero made this his instruction guide that he followed when he wrote De Oratore. I am very impressed that at age 20 Cicero understood rhetoric so well, and do such an amazing job explaining it; I could never explain rhetoric nearly as well as he does!
One main difference between De Inventione and De Oratore that I found was that De Inventione focused more on rhetoric towards the law and the court system, and De Oratore was focused more on rhetoric in the oral nature. It makes sense that De Oratory is based on an oral situation because it is written as though Cicero is in a conversation with his peers.
That which experience yields
In De Inventione, Cicero has just finished his schooling and
writing a book to demonstrate what his years of schooling have taught him. He
is only beginning his career as a rhetorician. When I first read De Inventione,
I thought, “This is good stuff” or “I hadn’t noticed that about rhetoric
before”, Cicero did an excellent job of adding a fine touch to Aristotle’s
system of rhetoric. You can tell that Cicero thinks he knows a lot about rhetoric.
Now let us fast forward 30 years…
| Each of us must carve our own path. We are just at the begining. There is so much ahead of us! |
It was hard for me to
believe that the writers of De Inventione and De Oratore were the same person.
His writing and his ideas were very powerful. I enjoyed his insights on what he
projected were the needed skills of a rhetorician because I think I could tell
that this particular writer possessed many of them.
![]() |
| Cicero sculpted his own life as he followed his passions and goals |
Things take time. I was very inspired by the works of
Cicero, mainly because he didn’t give up on his dream. He began a journey as an
eager and promising student, but it was what he did with his life after his schooling was over that
really defined him. Like it was for Cicero, so let it be for us.
I think a great lesson to learn from Cicero is to follow
your heart and to stick with your goals. Who we are now is not a reflection of
what we are forever destined to be. Regardless of where we are now with hard
work, consistency, and time we can sculpt our lives into something beautiful.
Growing Up
As with Katie's post, I would like to make my own
focusing on De Inventione and De Oratore also, expounding more particularly upon
the later portion of the post and adding my own thoughts accordingly.
![]() |
| What better transformation to use as an example than that of the Bald Eagle from child to adulthood? America! |
At the time of its writing, De Inventione was indeed
authored by the young adult Cicero of about twenty years. Cicero must have been proud of his work, as
it was the best that he could accomplish at that time; even for such a fresh
new member of the rhetorical society, Cicero left a very noticeable mark. If not, people of today would not be
reviewing it. Still, though Cicero
spelled out the concepts expressed in the branches of oratory and the five
components in arrangement, the format could be considered a bit forced and
rigid—unnatural, even. This is not to
say that the piece is a poor instance of writing, but that it is only the first
attempt made by Cicero in his new career.
On the other end of the spectrum, there is Cicero's
De Oratore, which is a masterful work laid out carefully in a way that
demonstrates fluidity, knowledge, experience, and overall better presentation
than his previous endeavor. Perhaps this
is most notable in the fact that, as Katie said, Cicero's role changes in De
Oratore, a product of his later years. In
this newer work, the fledgling rhetorician Cicero has shorn away his young down
and taken to the skies of discourse with his seasoned, developed wings. Probably the most notable demonstration of
this is through Cicero's use of distancing himself from the text (as he personally
narrated De Inventione) and instead hashing out the words through the
discussions of third party characters. In
this way, readers focus less on Cicero and more on the nature of what he is
telling through the characters. Due to this
dialogue form, he is able to take himself directly out of the spotlight and
strictly put his creations up for display.
Still, at the end of the performance, it is the puppeteer who has the
final applause. Cicero merely disappears
for a time only to reemerge at the opportune moment and harvest when the field
is at its ripest.
![]() |
| Cicero's puppets are a direct and indirect means of siphoning more of the praise from his audience for himself. |
In summation, from his early De Inventione days,
Cicero practiced and refined his rhetorical skills in order to produce De
Oratore in its highly polished state. Part
of this involved change associated with experience, but also dealt with
learning that there was needed change in his old ideas—that putting them into a
more appropriate form of dialogue would yield better results. Now, seeing as I have taken this idea of
Katie's further, and I sort of have the floor, I would like to ask if anyone
wishes to expound upon any of the portions contained within my post. Either that, or maybe a segue from Cicero within
Cicero to a comparison of his De Oratore with Plato's Gorgias would be interesting. What do you think? Where will this discussion end up?
Monday, October 27, 2014
Cicero vs. Cicero or Training Wheels vs. A 10-Speed
De Inventione was
written when Cicero was 20. Just
emerging past a student of rhetoric into a true rhetorician, De Inventione
seems to become less of a new and exciting treatise into the heart and art of
rhetoric than a recitation of his learning.
Not that it is not well-written, informative, and, yes, persuasive
enough to make me think that De Inventione could easily be the Bible of
rhetoric, but it fails as a true treatise compared to his De Oratore. De Oratore is rife with experience and
knowledge of true rhetoric, not just theory.
De Inventione can thus be seen as a bike with the training wheels
on. It will still get you where you need
to go, certainly, but it just isn’t as mature looking. De Inventione contains all the correct
principles of rhetoric, just not as fully fleshed out. De Oratore is the full bike, containing all
the more subtle nuances of rhetoric.
De Inventione mentions most of the rudimentary,
necessary parts of rhetoric. It cites
the importance of eloquence and proper arrangement. It defines and elaborates on stasis, especially
conjectural stasis. It speaks of the
branches of oratory (epideictic, judicial, deliberative). It lists all 5 parts of arrangement and
expands on them. Yet all of the ideas he
discusses seem extremely textbook-like.
He moves simply from idea to idea with analysis, but weak analysis. For example, the idea that “a person's name
can be used as an indication of his temperament” is intriguing but he does not
truly delve into it. Furthermore, he
does not truly understand yet the deep need for learning, wisdom, decorum, or
cultural understanding. He mentions none
of these extremely vital, but perhaps less “textbook” ideas in De Inventione, but does in De Oratore.
![]() |
| This is De Oratore. It's pretty formidable. |
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