The obvious and most public example of communication in this
industry is the communication journalists have with their readers. We provide
information we deem valuable and important to the public in the form of stories.
Kinda like this... |
However, before this communication can occur, there must be
communication and persuasion in the newsroom.
There are countless stories and endless information out
there in the world. Only a very tiny portion of that can fit in a spread.
Although aren’t space constraints online, there is only so much readers will
read. So journalists have to determine what they want to write and convince the
editors get on board. This often happens during pitch sessions.
But in an environment more like this |
During a pitch, one has to use many aspects of rhetoric. I’ve
briefly outlined some below.
First, you must know your audience—in
this case, the editors. The head editor has the final say on what gets
published. Depending on your position, you sometimes report to other managing
individuals beneath the head editor. I used to work for BYU Magazine. The main editor is Jeff. Under him is Peter. Under
Peter are Mike, Andrea, and Brittany. Then there were the interns. We had to
persuade and communicate with all of these individuals for our stories. It
could be helpful to know what the editors
favored—Mike loves sports, Brittany
wanted stories that taught a lesson.
Next, you must understand the
kairos/context of the publication as well as the general audience. Understand
your publications ideals and what topics they publish on. Know what is going on
in the world will interest readers. It is interesting to think about what your
publication as a whole is communicating and how it is being persuasive through
the stories that are chosen.
This leads to logos. You have to
do your homework and make logical appeals. Know what has been written on this
topic, both in general and by your publication. Be well versed in facts about
the topic so when you present, you can outline the reasons you think this story
should be published.
Pathos comes into play here. You
appeal to the emotions of your audience (the editors) by outlining how your
story will benefit the readers. (Sometimes you also explain how this story will
help the publication, in a business sense.)
However, ultimately your ethos is
the most important. Experience will be the most persuasive in a pitch.
In order to communicate the most
effectively and be the most persuasive to a general audience, journalists must
first communicate and be persuasive in the newsroom.
This is great because Written Journalism IS communication and persuasion! You said it, its all they do all day everyday! I like how you explained how your field of interest connects to the Persuasive Appeals
ReplyDeleteI never realized how important it is for journalists to appeal to management. Ideally, your editor's interests align with your audience, but that can't always be the case. That would definitely be a difficult dynamic.
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